Screening of the two-channel film installation GLIDE (19 min) on February 11th and 12th at 6.30 pm, for a general audience in Ullådalen, Åre, Sweden. GLIDE was projected on a wall of snow, approx. 450 cm by 127 cm, using one HD-projector and and one loudspeaker.
Many thanks to Per-Anders Agdler for helping build the wall of snow and to the landowners.
Documentation from screening in Åre, February 2025
With support of the Swedish Arts Grants Committee
Preview screening of the two-channel film installation GLIDE on May 4th at 10 pm, for a selected audience in Ullådalen, Åre, Sweden. GLIDE was projected on snow, using one HD-projector and five headphones.
Documentation from screening in Åre, May 2024
With support of the Swedish Arts Grants Committee
Group show at Studio 44 in Stockholm, Sweden.
Group show at Ostrale Biennale O23, Robotron Kantine in Dresden, Germany.
Group show at Ostrale Biennale O21 in Dresden, Germany (with Timo Menke). Screening of the three-channel film installation Gifted Men (67 min, 2015) at different venues.
With support of the Swedish Arts Grants Committee
Group show at Eldhunden in Stockholm, arranged by Konstnärshuset.
Review in Dagens Nyheter, October 29, 2020
Solo show at Ahlbergshallen in Östersund, Sweden.
With support of the Swedish Arts Grants Committee
Solo show at Pori Art Museum in Pori, Finland (with Timo Menke).
Review in Wall Street International Magazine, Juli 31, 2018
With support of the Swedish Arts Grants Committee
Group show att Galleri 54 in Gothenburg with Nils Agdler, Birt Berglund, Timo Menke and Johan Sundell.
In what ways do public bathrooms for gay men and sperm bank booths for straight men constitute enclosed spaces for desire and excess? And in what ways can they be unfolded, turned inside-out, for new connections, flows and deregulations? Liquid Excess is concerned with partially invisible ecologies and economies of male fluids, and explores how sperm and piss as bodily substances are negotiated and transformed through noisy medical policies and social practices.
The show and its reciprocal manifestations ranged from sound works and (re)-constructed architectural models to large-scale film installations. Birt Berglund’s and Johan Sundell’s queer noise project (Homotopos) was rooted in unwanted desire as noise and excess, while Nils Agdler’s and Timo Menke’s film installation (Gifted Men) about Danish sperm donors inquired a highly wanted and scarce product.
The opening weekend featured a performance in public Gothenburg, followed by a donation performance in the exhibition space, and finally concluded by a conversation with sociologist Arne Nilsson, which was linked to the themes of queer desires and architecture, reproductive techniques and masculinity.
With support of the Swedish Arts Grants Committee
Solo show at Kalmar Art Museum in Kalmar, Sweden (with Timo Menke).
With support of the Swedish Arts Grants Committee
Solo show at Galleri Verkligheten in Umeå, Sweden (with Timo Menke).
With support of the Swedish Arts Grants Committee